Die Edgar-Nominierungen 2023

Februar 1, 2023

Schon vor einigen Tagen haben die Mystery Writers of America (MWA) die Nominierungen für die diesjährigen Edgar Allan Poe Awards veröffentlicht:

Best Novel:

Devil House, von John Darnielle (MCD)

Like a Sister, von Kellye Garrett (Mulholland)

Gangland, von Chuck Hogan (Grand Central)

The Devil Takes You Home, von Gabino Iglesias (Mulholland)

Notes on an Execution, von Danya Kukafka (Morrow)

The Maid, von Nita Prose (Ballantine)

Best First Novel by an American Author:

Jackal, von Erin E. Adams (Bantam)

Don’t Know Tough, von Eli Cranor (Soho Crime)

Shutter, von Ramona Emerson (Soho Crime)

More Than You’ll Ever Know, von Katie Gutierrez (Morrow)

Portrait of a Thief, von Grace D. Li (Tiny Reparations)

Best Paperback Original:

Quarry’s Blood, von Max Allan Collins (Hard Case Crime)

On a Quiet Street, von Seraphina Nova Glass (Graydon House)

Or Else, von Joe Hart (Thomas & Mercer)

Cleopatra’s Dagger, von Carole Lawrence (Thomas & Mercer)

A Familiar Stranger, von A.R. Torre (Thomas & Mercer)

Best Fact Crime:

Slenderman: Online Obsession, Mental Illness, and the Violent Crime of Two Midwestern Girls, von Kathleen Hale (Grove Press)

Tell Me Everything: The Story of a Private Investigation, von Erika Krouse (Flatiron)

Trailed: One Woman’s Quest to Solve the Shenandoah Murders, von Kathryn Miles (Algonquin)

American Caliph: The True Story of a Muslim Mystic, a Hollywood Epic, and the 1977 Siege of Washington, D.C., von Shahan Mufti (Farrar, Straus and Giroux)

American Demon: Eliot Ness and the Hunt for America’s Jack the Ripper, von Daniel Stashower (Minotaur)

Best Critical/Biographical:

The Life of Crime: Detecting the History of Mysteries and Their Creators, von Martin Edwards (Collins Crime Club)

The Bloomsbury Handbook to Agatha Christie, von Mary Anna Evans und J.C. Bernthal (Bloomsbury Academic)

The Crime World of Michael Connelly: A Study of His Works and Their Adaptations, von David Geherin (McFarland)

The Woman Beyond the Attic: The V.C. Andrews Story, von Andrew Neiderman (Gallery)

Agatha Christie: An Elusive Woman, von Lucy Worsley (Pegasus Crime)

Best Short Story:

• “Red Flag,” von Gregory Fallis (Alfred Hitchcock’s Mystery Magazine [AHMM], March/April)

• “Backstory,” von Charles John Harper (AHMM, January/February)

• “Locked-In,” von William Burton McCormick (AHMM, January/February)

• “The Amnesty Box,” von Tim McLoughlin (aus Alcohol, Tobacco, and Firearms, von Tim McLoughlin; Akashic Press)

• “First You Dream, Then You Die,” von Donna Moore (aus Black Is the Night, herausgegeben von Maxim Jakubowski; Titan)

Best Juvenile:

The Swallowtail Legacy: Wreck at Ada’s Reef. von Michael D. Beil (Pixel+Ink)

The Area 51 Files, von Julie Buxbaum (Delacorte Press)

Aggie Morton Mystery Queen: The Seaside Corpse, von Marthe Jocelyn (Tundra)

Adventures on Trains: Murder on the Safari Star, von M.G. Leonard und Sam Sedgman (Feiwel & Friends)

Chester Keene Cracks the Code, von Kekla Magoon (Wendy Lamb)

Best Young Adult:

Pretty Dead Queens, von Alexa Donne (Crown Books for Young Readers)

Frightmares, von Eva V. Gibson (Underlined)

The Black Girls Left Standing, von Juliana Goodman (Feiwel & Friends)

The Red Palace, von June Hur (Feiwel & Friends)

Lock the Doors, von Vincent Ralph (Sourcebooks Fire)

Best Television Episode Teleplay:

• “One Mighty and Strong,” Under the Banner of Heaven, Drehbuch von Brandon Boyce (Hulu/FX)

• “Episode 1,” Magpie Murders, Drehbuch von Anthony Horowitz (Masterpiece/PBS)

• “Episode 1,” Karen Pirie, Drehbuch von Emer Kenny (BritBox)

• “When Harry Met Fergus,” Harry Wild, Drehbuch von David Logan (Acorn TV)

• “The Reagan Way,” Blue Bloods, Drehbuch von Siobhan Byrne O’Connor (CBS)

• “Eighteen Wheels a Predator,” Law & Order: SVU, Drehbuch von Brianna Yellen und Monet Hurst-Mendoza (NBC Universal)

Robert L. Fish Memorial Award:

Dogs in the Canyon,” von Mark Harrison (Ellery Queen Mystery Magazine, September/October)

The Simon & Schuster Mary Higgins Clark Award:

Because I Could Not Stop for Death, von Amanda Flower (Berkley)

The Woman in the Library, von Sulari Gentill (Poisoned Pen Press)

The Disinvited Guest, von Carol Goodman (Morrow)

A Dreadful Splendor, von B.R. Myers (Morrow)

Never Name the Dead, von D.M. Rowell (Crooked Lane)

The G.P. Putnam’s Sons Sue Grafton Memorial Award:

Secret Lives, von Mark de Castrique (Poisoned Pen Press)

An Unforgiving Place, von Claire Kells (Crooked Lane)

Hideout, von Louisa Luna (Doubleday)

Behind the Lie, von Emilya Naymark (Crooked Lane)

Secrets Typed in Blood, von Stephen Spotswood (Doubleday)

The Lilian Jackson Braun Memorial Award:

The Shadow of Memory, von Connie Berry (Crooked Lane)

Buried in a Good Book, von Tamara Berry (Poisoned Pen Press)

Smile Beach Murder, von Alicia Bessette (Berkley)

Desert Getaway, von Michael Craft (Brash)

The Marlow Murder Club, von Robert Thorogood (Poisoned Pen Press)

SPECIAL AWARDS

MWA Grand Master:

Michael Connelly

Joanne Fluke

Raven Award:

Crime Writers of Color

Eddie Muller for Noir Alley and The Noir Foundation

Ellery Queen Award:

The Strand Magazine

Die 77. Edgar-Verleihung ist am 27. April 2023 in New York.

(via The Rap Sheet)


Die Edgar-Gewinner 2022

Mai 2, 2022

Die ehrenwerten Mystery Writers of America haben ihre diesjährigen Edgar Allan Poe Awards verliehen und wer sich nicht die gesamte Veranstaltung ansehen will, kann weiterlesen.

Folgende Kriminalgeschichten wurden ausgezeichnet:

Best Novel

Five Decembers, von James Kestrel (Hard Case Crime)

nominiert

The Venice Sketchbook, von Rhys Bowen (Lake Union)

Razorblade Tears, von S.A. Cosby (Flatiron)

How Lucky, von Will Leitch (Harper)

No One Will Miss Her, von Kat Rosenfield (Morrow)

Best First Novel by an American Author

Deer Season, von Erin Flanagan (University of Nebraska Press)

nominiert

Never Saw Me Coming, von Vera Kurian (Park Row)

Suburban Dicks, von Fabian Nicieza (Putnam)

What Comes After, von JoAnne Tompkins (Riverhead)

The Damage, von Caitlin Wahrer (Viking/Pamela Dorman)

Best Paperback Original

Bobby March Will Live Forever, von Alan Parks (World Noir) (deutsche Ausgabe: Bobby March forever, Heyne Hardcore)

nominiert

Kill All Your Darlings, von David Bell (Berkley)

The Lighthouse Witches, von C.J. Cooke (Berkley)

The Album of Dr. Moreau, von Daryl Gregory (Tor)

Starr Sign, von C.S. O’Cinneide (Dundurn Press)

The Shape of Darkness, von Laura Purcell (Penguin)

Best Short Story

The Road to Hana, von R.T. Lawton (Alfred Hitchcock Mystery Magazine [AHMM], May/June 2021)

nominiert

Blindsided, von Michael Bracken und James A. Hearn (AHMM, September/October 2021)

The Vermeer Conspiracy, von V.M. Burns (from Midnight Hour, edited by Abby L. Vandiver; Crooked Lane)

Lucky Thirteen, von Tracy Clark (from Midnight Hour)

The Locked Room Library, von Gigi Pandian (Ellery Queen Mystery Magazine [EQMM], July/August 2021)

The Dark Oblivion, von Cornell Woolrich (EQMM, January/February 2021)

Best Fact Crime

Last Call: A True Story of Love, Lust, and Murder in Queer New York, von Elon Green (Celadon)

nominiert

The Confidence Men: How Two Prisoners of War Engineered the Most Remarkable Escape in History, von Margalit Fox (Random House)

Sleeper Agent: The Atomic Spy in America Who Got Away, von Ann Hagedorn (Simon & Schuster)

Two Truths and a Lie: A Murder, a Private Investigator, and Her Search for Justice, von Ellen McGarrahan (Random House)

The Dope: The Real History of the Mexican Drug Trade, von Benjamin T. Smith (Norton)

When Evil Lived in Laurel: The “White Knights” and the Murder of Vernon Dahmer, von Curtis Wilkie (Norton)

Best Critical/Biographical

The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense, von Edward White (Norton)

nominiert

Agatha Christie’s Poirot: The Greatest Detective in the World, von Mark Aldridge (Harper360)

The Unquiet Englishman: A Life of Graham Greene, von Richard Greene (Norton)

Tony Hillerman: A Life, von James McGrath Morris (University of Oklahoma Press)

The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Science, von John Tresch (Farrar, Straus and Giroux)

Best Young Adult

Firekeeper’s Daughter, by Angeline Boulley (Henry Holt)

nominiert

Ace of Spades, von Faridah Àbíké-Íyímídé (Feiwel & Friends)

When You Look Like Us, von Pamela N. Harris (Quill Tree)

The Forest of Stolen Girls, von June Hur (Feiwel & Friends)

The Girls I’ve Been, von Tess Sharpe (Putnam)

Best Juvenile

Concealed, by Christina Diaz Gonzalez (Scholastic Press)

nominiert

Cold-Blooded Myrtle, von Elizabeth C. Bunce (Algonquin Young Readers)

Aggie Morton Mystery Queen: The Dead Man in the Garden, von Marthe Jocelyn (Tundra)

Kidnap on the California Comet: Adventures on Trains #2, von M.G. Leonard and Sam Sedgman (Feiwel & Friends)

Rescue, von Jennifer A. Nielsen (Scholastic Press)

Best Television Episode Teleplay

Boots on the Ground,” Narcos: Mexico, written by Iturri Sosa (Netflix)

nominiert

Dog Day Morning,” The Brokenwood Mysteries, written by Tim Balme (Acorn TV)

Episode 1,” The Beast Must Die, written by Gaby Chiappe (AMC+)

The Men Are Wretched Things,” The North Water, written by Andrew Haigh (AMC+)

Happy Families,” Midsomer Murders, written by Nicholas Hicks-Beach (Acorn TV)

Grand Master: Laurie R. King

Raven Award: Lesa Holstine, librarian, blogger, and book reviewer

Ellery Queen Award: Juliet Grames, associate publisher at Soho Press

Robert L. Fish Memorial Award

Analogue,” von Rob Osler (Ellery Queen Mystery Magazine, January/February 2021)

The G.P. Putnam’s Sons Sue Grafton Memorial Award

Runner, von Tracy Clark (Kensington)

nominiert

Double Take, von Elizabeth Breck (Crooked Lane)

Shadow Hill, von Thomas Kies (Poisoned Pen Press)

Sleep Well, My Lady, von Kwei Quartey (Soho Crime)

Family Business, von S.J. Rozan (Pegasus Crime)

The Simon & Schuster Mary Higgins Clark Award

Clark and Division, von Naomi Hirahara (Soho Crime)

nominiert

The Secret Life of Miss Mary Bennet, von Katherine Cowley (Tule Mystery)

Ruby Red Herring, von Tracy Gardner (Crooked Lane)

The Sign of Death, von Callie Hutton (Crooked Lane)

Chapter and Curse, von Elizabeth Penney (St. Martin’s Paperbacks)

(via The Rap Sheet)


Die Edgars 2019

April 26, 2019

In New York City verlieh die Mystery Writers of America (MWA) den prestigeträchtigen Edgar-Allan-Poe-Preis, kurz Egar, an:

Best Novel

Down the River Unto the Sea, von Walter Mosley (Mulholland)

nominiert

The Liar’s Girl, von Catherine Ryan Howard (Blackstone)

House Witness, von Mike Lawson (Atlantic Monthly Press)

A Gambler’s Jury, von Victor Methos (Thomas & Mercer)

Only to Sleep, von Lawrence Osborne (Hogarth)

A Treacherous Curse, von Deanna Raybourn (Berkley)

Best First Novel by an American Author

Bearskin, von James A. McLaughlin (Ecco)

nominiert

A Knife in the Fog, von Bradley Harper (Seventh Street)

The Captives, von Debra Jo Immergut (Ecco)

The Last Equation of Isaac Severy, von Nova Jacobs (Touchstone)

Where the Crawdads Sing, von Delia Owens (Putnam)

Best Paperback Original

If I Die Tonight, von Alison Gaylin (Morrow)

nominiert

Hiroshima Boy, von Naomi Hirahara (Prospect Park)

Under a Dark Sky, von Lori Rader-Day (Morrow)

The Perfect Nanny, von Leila Slimani (Penguin)

Under My Skin, von Lisa Unger (Park Row)

Best Fact Crime

Tinderbox: The Untold Story of the Up Stairs Lounge First and the Rise of Gay Liberation, von Robert W. Fieseler (Liveright)

nominiert

Sex Money Murder: A Story of Crack, Blood, and Betrayal, von Jonathan Green (Norton)

The Last Wild Men of Borneo: A True Story of Death and Treasure, von Carl Hoffman (Morrow)

The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century, von Kirk Wallace Johnson (Viking)

I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer, von Michelle McNamara (Harper)

The Good Mothers: The True Story of the Women Who Took on the World’s Most Powerful Mafia, von Alex Perry (Morrow)

Best Critical/Biographical

Classic American Crime Fiction of the 1920s, kommentiert von Leslie S. Klinger (Pegasus Books)

nominiert

The Metaphysical Mysteries of G.K. Chesterton: A Critical Study of the Father Brown Stories and Other Detective Fiction, von Laird R. Blackwell (McFarland)

Dead Girls: Essays on Surviving an American Obsession, von Alice Bolin (Morrow)

Mark X: Who Killed Huck Finn’s Father? von Yasuhiro Takeuchi (Routledge)

Agatha Christie: A Mysterious Life, von Laura Thompson (Pegasus)

Best Short Story

English 398: Fiction Workshop,” von Art Taylor (Ellery Queen Mystery Magazine, July/August 2018)

nominiert

Rabid,“ von Paul Doiron (Minotaur e-book)

Paranoid Enough for Two,” von John Lutz (in The Havana Game; Kensington)

Ancient and Modern,” von Val McDermid (in Bloody Scotland, herausgegeben von James Crawford; Pegasus)

The Sleep Tight Motel,” von Lisa Unger (Amazon e-book)

Best Juvenile

Otherwood, von Pete Hautman (Candlewick Press)

nominiert

Denis Ever After, von Tony Abbott (Katherine Tegen)

Zap! von Martha Freeman (Paula Wiseman)

Ra the Mighty: Cat Detective, von A.B. Greenfield (Holiday House)

Winterhouse, von Ben Guterson (Henry Holt)

Charlie & Frog, von Karen Kane (Disney Hyperion)

Zora & Me: The Cursed Ground, von T.R. Simon (Candlewick Press)

Best Young Adult

Sadie, von Courtney Summers (Wednesday)

nominiert

Contagion, von Erin Bowman (HarperCollins)

Blink, von Sasha Dawn (Carolrhoda Lab)

After the Fire, von Will Hill (Sourcebooks Fire)

A Room Away from the Wolves, von Nova Ren Suma (Algonquin)

Best Television Episode Teleplay

The One That Holds Everything,” The Romanoffs, Drehbuch von Matthew Weiner und Donald Joh (Amazon Prime Video)

nominiert

The Box,” Brooklyn Nine-Nine, Drehbuch von Luke Del Tredici (NBC/Universal TV)

Season 2, Episode 1,” Jack Irish, Drehbuch von Andrew Knight (Acorn TV)

Episode 1,” Mystery Road, Drehbuch von Michaeley O’Brien (Acorn TV)

My Aim Is True,” Blue Bloods, Drehbuch von Kevin Wade (CBS Eye Productions)

Robert L. Fish Memorial Award

How Does He Die This Time?” von Nancy Novick (Ellery Queen Mystery Magazine, September/October 2018)

The Simon & Schuster Mary Higgins Clark Award

The Widows of Malabar Hill, von Sujata Massey (Soho Crime)

nominiert

A Death of No Importance, von Mariah Fredericks (Minotaur)

A Lady’s Guide to Etiquette and Murder, von Dianne Freeman (Kensington)

Bone on Bone, von Julia Keller (Minotaur)

A Borrowing of Bones, von Paula Munier (Minotaur)

The G.P. Putnam’s Sons Sue Grafton Memorial Award

Shell Game, von Sara Paretsky (Morrow)

nominiert

Perish, von Lisa Black (Kensington)

City of Secrets, von Victoria Thompson (Berkley)

A Forgotten Place, von Charles Todd (Morrow)

To Die But Once, von Jacqueline Winspear (Harper)

Grand Master Award

Martin Cruz Smith

Raven Award (for outstanding achievement in the mystery field outside the realm of creative writing)

Marilyn Stasio („The New York Times“-Krimikritikerin)

Ellery Queen Award (for outstanding writing teams and outstanding people in the mystery-publishing industry)

Linda Landigan (Herausgeberin des Alfred Hitchcock Mystery Magazine)

Herzlichen Glückwunsch an alle Gewinner! Schön, dass einige altbekannte Namen wieder dabei sind.

 

(via The Rap Sheet)


Die Edgars 2018

April 30, 2018

Die diesjährgen Edgar Awards (bzw. genaugenommen Edgar Allan Poe Awards) der Mystery Writers of America gingen an:

Best Novel

Bluebird, Bluebird, von Attica Locke (Mulholland)

nominiert

The Dime, von Kathleen Kent (Mulholland)

Prussian Blue, von Philip Kerr (Putnam) (dürfte nächstes Jahr erscheinen. Ich lese gerade seinen Bernie-Gunther-Roman „Kalter Frieden“ [The other Side of Silence, 2016] und die richtige Pageturner-Lesebegeisterung will sich nicht einstellen.)

A Rising Man, von Abir Mukherjee (Pegasus)

The Twelve Lives of Samuel Hawley, von Hannah Tinti (Dial Press)

Best First Novel by an American Author

She Rides Shotgun, von Jordan Harper (Ecco) (Die Rache der Polly McClusky, Ullstein)

nominiert

Dark Chapter, von Winnie M. Li (Polis)

Lola, von Melissa Scrivner Love (Crown)

Tornado Weather, von Deborah E. Kennedy (Flatiron)

Idaho, von Emily Ruskovich (Random House)

Best Paperback Original

The Unseeing, von Anna Mazzola (Sourcebooks Landmark)

nominiert

In Farleigh Field, von Rhys Bowen (Thomas & Mercer)

Ragged Lake, von Ron Corbett (ECW Press)

Black Fall, von Andrew Mayne (Harper)

Penance, von Kanae Minato (Mulholland)

The Rules of Backyard Cricket, von Jock Serong (Text)

Best Fact Crime

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, von David Grann (Doubleday)

nominiert

The Road to Jonestown: Jim Jones and Peoples Temple, von Jeff Guinn (Simon & Schuster)

American Fire: Love, Arson, and Life in a Vanishing Land, von Monica Hesse (Liveright)

The Man From the Train: The Solving of a Century-Old Serial Killer Mystery, von Bill James and Rachel McCarthy James (Scribner)

Mrs. Sherlock Holmes: The True Story of New York City’s Greatest Female Detective and the 1917 Missing Girl Case That Captivated a Nation, von Brad Ricca (St. Martin’s Press)

Best Critical/Biographical

Chester B. Himes: A Biography, von Lawrence P. Jackson (Norton)

nominiert

From Holmes to Sherlock: The Story of the Men and Women Who Created an Icon, von Mattias Bostrom (Mysterious Press) (Von Mr. Holmes zu Sherlock, btb)

Manderley Forever: A Biography of Daphne du Maurier, von Tatiana de Rosnay (St. Martin’s Press)

Murder in the Closet: Essays on Queer Clues in Crime Fiction Before Stonewall, von Curtis Evans (McFarland)

and Arthur and Sherlock: Conan Doyle and the Creation of Holmes, von Michael Sims (Bloomsbury USA)

Best Short Story

Spring Break, von John Crowley (aus New Haven Noir, herausgegeben von Amy Bloom; Akashic)

nominiert

Hard to Get, von Jeffery Deaver (Ellery Queen Mystery Magazine, July/August 2017)

Ace in the Hole, von Eric Heidle (aus Montana Noir, herausgegeben von James Grady und Keir Graff; Akashic)

A Moment of Clarity at the Waffle House, von Kenji Jasper (aus Atlanta Noir, herausgegeben von Tayari Jones; Akashic)

Chin Yong-Yun Stays at Home, von S.J. Rozan (Alfred Hitchcock Mystery Magazine, January/February 2017)

(da können wir uns doch freuen, dass Culturbooks mit Akashic einen Vertrag einging und nach „Paris Noir“, „Berlin Noir“ [am lesen, aber Kurzgeschichten…] im Herbst „USA Noir“ erscheint)

Best Juvenile

Vanished! von James Ponti (Aladdin)

nominiert

Audacity Jones Steals the Show, von Kirby Larson (Scholastic Press)

The Assassin’s Curse, von Kevin Sands (Aladdin)

First Class Murder, von Robin Stevens (Simon & Schuster)

NewsPrints, von Ru Xu (Graphix)

Best Young Adult

Long Way Down, von Jason Reynolds (Atheneum)

nominiert

The Cruelty, von Scott Bergstrom (Feiwel & Friends)

Grit, von Gillian French (HarperTeen)

The Impossible Fortress, von Jason Rekulak (Simon & Schuster)

The Hate U Give, von Angie Thomas (Balzer + Bray)

Best Television Episode Teleplay

Somebody to Love,” Fargo, Drehbuch von Noah Hawley (FX Networks/MGM)

nominiert

Episode 1,” Loch Ness, Drehbuch von Stephen Brady (Acorn TV)

Something Happened,” Law & Order: SVU, Drehbuch von Michael Chernuchin (NBC Universal/Wolf Entertainment)

Gently and the New Age,” George Gently, Drehbuch von Robert Murphy (Acorn TV)

The Blanket Mire,” Vera, Drehbuch von Paul Matthew Thompson und Martha Hillier (Acorn TV)

The Simon & Schuster/Mary Higgins Clark Award

The Widow’s House, von Carol Goodman (Morrow)

nominiert

The Vineyard Victims, von Ellen Crosby (Minotaur)

You’ll Never Know, Dear, von Hallie Ephron (Morrow)

Uncorking a Lie, von Nadine Nettmann (Midnight Ink)

The Day I Died, von Lori Rader-Day (Morrow)

Grand Master

Jane Langton

Peter Lovesey

William Link

Raven Award

Kristopher Zgorski von BOLO Books

The Raven Bookstore in Lawrence, Kansas

Ellery Queen Award

Robert Pépin

Robert L. Fish Memorial Award

The Queen of Secrets, von Lisa D. Gray (aus New Haven Noir; Akashic)

(via The Rap Sheet)