Kriminalakte

Nachdem ich die Preisverleihung mit einigen guten Bekannten und netten Menschen live verfolgte (was die Verleihung sehr kurzweilig machte), gibt es schon jetzt die vollständige Liste der Oscar-Gewinner und -Nominierten. Bei den Gewinnern gab es einige Überraschungen, nämlich dass „Anora“ so einen grandiosen Durchmarsch machte (hatte ich zwar gehofft, aber ich gab dem typischen Oscar-Drama „The Brutalist“ und diesem Timothée-Dylan-Film die höheren Chancen), dass Demi Moore keinen Oscar erhielt und dass „Emilia Prez“, nachdem der Film in den letzten Wochen viel Gegenwind erhiet, sich doch ziemlich gut schlug.

Insgesamt bin ich zufrieden mit den Gewinnern und insgesamt gab es, auch wenn es in einigen Kategorien keinen eindeutigen Favoriten gab, erstaunlich wenig Überraschungen.

Hier die vollständige Liste der 97. Oscar-Preisverleihung:

Best Picture

GEWINNER “Anora” (Neon)

“The Brutalist” (A24)

“A Complete Unknown” (Searchlight)

“Conclave” (Focus Features)

“Dune: Part Two” (Warner Bros.)

“Emilia Pérez” (Netflix)

“I’m Still Here” (Sony Pictures Classics) („Für immer hier“ startet am 13. März und wird dann abgefeiert)

“Nickel Boys” (Orion Pictures/Amazon MGM Studios)

“The Substance” (Mubi)

“Wicked” (Universal)

–

Directing

GEWINNER “Anora” (Neon) Sean Baker

“The Brutalist” (A24) Brady Corbet

“A Complete Unknown” (Searchlight) James Mangold

“Emilia Pérez” (Netflix) Jacques Audiard

“The Substance” (Mubi) Coralie Fargeat

–

Writing (Adapted Screenplay)

“A Complete Unknown” (Searchlight) Screenplay by James Mangold and Jay Cocks

GEWINNER “Conclave” (Focus Features) Screenplay by Peter Straughan

“Emilia Pérez” (Netflix) Screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

“Nickel Boys” (Orion Pictures/Amazon MGM Studios) Screenplay by RaMell Ross & Joslyn Barnes

“Sing Sing” (A24) Screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

–

Writing (Original Screenplay)

GEWINNER “Anora” (Neon) Written by Sean Baker

“The Brutalist” (A24) Written by Brady Corbet, Mona Fastvold

“A Real Pain” (Searchlight) Written by Jesse Eisenberg

“September 5” (Paramount) Written by Moritz Binder, Tim Fehlbaum; co-Written by Alex David

“The Substance” (Mubi) Written by Coralie Fargeat

–

Actor in a Leading Role

GEWINNER Adrien Brody in “The Brutalist” (A24)

Timothée Chalamet in “A Complete Unknown” (Searchlight)

Colman Domingo in “Sing Sing” (A24)

Ralph Fiennes in “Conclave” (Focus Features)

Sebastian Stan in “The Apprentice” (Briarcliff Entertainment/Rich Spirit)

–

Actress in a Leading Role

Cynthia Erivo in “Wicked” (Universal)

Karla Sofía Gascón in “Emilia Pérez” (Netflix)

GEWINNER Mikey Madison in “Anora” (Neon)

Demi Moore in “The Substance” (Mubi)

Fernanda Torres in “I’m Still Here” (Sony Pictures Classics)

–

Actor in a Supporting Role

Yura Borisov in “Anora” (Neon)

GEWINNER Kieran Culkin in “A Real Pain” (Searchlight)

Edward Norton in “A Complete Unknown” (Searchlight)

Guy Pearce in “The Brutalist” (A24)

Jeremy Strong in “The Apprentice” (Briarcliff Entertainment/Rich Spirit)

–

Actress in a Supporting Role

Monica Barbaro in “A Complete Unknown” (Searchlight)

Ariana Grande in “Wicked” (Universal)

Felicity Jones in “The Brutalist” (A24)

Isabella Rossellini in “Conclave” (Focus Features)

GEWINNER Zoe Saldaña in “Emilia Pérez” (Netflix)

–

Cinematography

GEWINNER “The Brutalist” (A24) Lol Crawley

“Dune: Part Two” (Warner Bros.) Greig Fraser

“Emilia Pérez” (Netflix) Paul Guilhaume

“Maria” (Netflix) Ed Lachman

“Nosferatu” (Focus Features) Jarin Blaschke

–

International Feature Film

GEWINNER “I’m Still Here” (Brazil) („Für immer hier“ startet am 13. März und wird dann abgefeiert)

“The Girl with the Needle” (Denmark)

“Emilia Pérez” (France)

“The Seed of the Sacred Fig” (Die Saat des heiligen Feigenbaums) (Germany)

“Flow” (Latvia) (startet am Donnerstag und wird dann abgefeiert)

–

Animated Feature Film

GEWINNER “Flow” (Sideshow/Janus Films) (startet am Donnerstag und wird dann abgefeiert)

“Inside Out 2” (Walt Disney)

“Memoir of a Snail” (IFC Films)

“Wallace & Gromit: Vengeance Most Fowl” (Netflix)

“The Wild Robot” (Universal)

–

Documentary Feature Film

“Black Box Diaries” (MTV Documentary Films)

GEWINNER “No Other Land”

“Porcelain War” (Picturehouse)

“Soundtrack to a Coup d’Etat” (Kino Lorber)

“Sugarcane” (National Geographic Documentary Films)

–

Film Editing

GEWINNER “Anora” (Neon) Sean Baker

“The Brutalist” (A24) David Jancso

“Conclave” (Focus Features) Nick Emerson

“Emilia Pérez” (Netflix) Juliette Welfling

“Wicked” (Universal) Myron Kerstein

–

Production Design

“The Brutalist” (A24) Production Design: Judy Becker, Set Decoration: Patricia Cuccia

“Conclave” (Focus Features) Production Design: Suzie Davies, Set Decoration: Cynthia Sleiter

“Dune: Part Two” (Warner Bros.) Production Design: Patrice Vermette, Set Decoration: Shane Vieau

“Nosferatu” (Focus Features) Production Design: Craig Lathrop, Set Decoration: Beatrice Brentnerová

GEWINNER “Wicked” (Universal) Production Design: Nathan Crowley, Set Decoration: Lee Sandales

–

Costume Design

“A Complete Unknown” (Searchlight) Arianne Phillips

“Conclave” (Focus Features) Lisy Christl

“Gladiator II” (Paramount) Janty Yates and Dave Crossman

“Nosferatu” (Focus Features) Linda Muir

GEWINNER “Wicked” (Universal) Paul Tazewell

–

Music (Original Score)

GEWINNER “The Brutalist” (A24) Daniel Blumberg

“Conclave” (Focus Features) Volker Bertelmann

“Emilia Pérez” (Netflix) Clément Ducol and Camille

“Wicked” (Universal) John Powell and Stephen Schwartz

“The Wild Robot” (Universal) Kris Bowers

–

Music (Original Song)

GEWINNER “El Mal” from “Emilia Pérez” (Netflix) Music by Clément Ducol and Camille, Lyric by Clément Ducol, Camille and Jacques Audiard

“The Journey” from “The Six Triple Eight” (Netflix) Music and Lyric by Diane Warren

“Like A Bird” from “Sing Sing” (A24) Music and Lyric by Abraham Alexander and Adrian Quesada

“Mi Camino” from “Emilia Pérez” (Netflix) Music and Lyric by Camille and Clément Ducol

“Never Too Late” from “Elton John: Never Too Late” (Disney+) Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

–

Live Action Short Film

A Lien

Anuja

GEWINNER I’m Not a Robot

The Last Ranger

The Man Who Would Not Remain Silent

–

Animated Short Film

Beautiful Men

GEWINNER In the Shadow of the Cypress

Magic Candies

Wander to Wonder

Yuck!

–

Documentary Short Film

“Death by Numbers” Kim A. Snyder and Janique L. Robillard

“I Am Ready, Warden” (MTV Documentary Films) Smriti Mundhra and Maya Gnyp

“Incident” (The New Yorker) Bill Morrison and Jamie Kalven

“Instruments of a Beating Heart” (The New York Times OpDocs/Cineric Creative) Ema Ryan Yamazaki and Eric Nyari

GEWINNER “The Only Girl in the Orchestra” (Netflix) Molly O’Brien and Lisa Remington

–

Makeup and Hairstyling

A Different Man

Emilia Pérez

Nosferatu

GEWINNER The Substance

Wicked

–

Sound

A Complete Unknown

GEWINNER Dune: Part Two

Emilia Pérez

Wicked

The Wild Robot

–

Visual Effects

Alien: Romulus

Better Man

GEWINNER Dune: Part Two

The Kingdom of the Planet of the Apes

Wicked

Vor wenigen Stunden wurden sie veröffentlicht und Deutschland hat, wenn man so will, mit „Konklave“ und „Die Saat des heiligen Feigenbaums“ gleich zwei Bester-Film-Oscar-Chancen.

Die gesamte Nominierungsliste ist eine wundersame Zusammenstellung, die eine Prognose erschwert:

Best Picture

“Anora” (Neon)

“The Brutalist” (A24)

“A Complete Unknown” (Searchlight)

“Conclave” (Focus Features)

“Dune: Part Two” (Warner Bros.)

“Emilia Pérez” (Netflix)

“I’m Still Here” (Sony Pictures Classics)

“Nickel Boys” (Orion Pictures/Amazon MGM Studios)

“The Substance” (Mubi)

“Wicked” (Universal)

–

Directing

“Anora” (Neon) Sean Baker

“The Brutalist” (A24) Brady Corbet

“A Complete Unknown” (Searchlight) James Mangold

“Emilia Pérez” (Netflix) Jacques Audiard

“The Substance” (Mubi) Coralie Fargeat

–

Writing (Adapted Screenplay)

“A Complete Unknown” (Searchlight) Screenplay by James Mangold and Jay Cocks

“Conclave” (Focus Features) Screenplay by Peter Straughan

“Emilia Pérez” (Netflix) Screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

“Nickel Boys” (Orion Pictures/Amazon MGM Studios) Screenplay by RaMell Ross & Joslyn Barnes

“Sing Sing” (A24) Screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

–

Writing (Original Screenplay)

“Anora” (Neon) Written by Sean Baker

“The Brutalist” (A24) Written by Brady Corbet, Mona Fastvold

“A Real Pain” (Searchlight) Written by Jesse Eisenberg

“September 5” (Paramount) Written by Moritz Binder, Tim Fehlbaum; co-Written by Alex David

“The Substance” (Mubi) Written by Coralie Fargeat

–

Actor in a Leading Role

Adrien Brody in “The Brutalist” (A24)

Timothée Chalamet in “A Complete Unknown” (Searchlight)

Colman Domingo in “Sing Sing” (A24)

Ralph Fiennes in “Conclave” (Focus Features)

Sebastian Stan in “The Apprentice” (Briarcliff Entertainment/Rich Spirit)

–

Actress in a Leading Role

Cynthia Erivo in “Wicked” (Universal)

Karla Sofía Gascón in “Emilia Pérez” (Netflix)

Mikey Madison in “Anora” (Neon)

Demi Moore in “The Substance” (Mubi)

Fernanda Torres in “I’m Still Here” (Sony Pictures Classics)

–

Actor in a Supporting Role

Yura Borisov in “Anora” (Neon)

Kieran Culkin in “A Real Pain” (Searchlight)

Edward Norton in “A Complete Unknown” (Searchlight)

Guy Pearce in “The Brutalist” (A24)

Jeremy Strong in “The Apprentice” (Briarcliff Entertainment/Rich Spirit)

–

Actress in a Supporting Role

Monica Barbaro in “A Complete Unknown” (Searchlight)

Ariana Grande in “Wicked” (Universal)

Felicity Jones in “The Brutalist” (A24)

Isabella Rossellini in “Conclave” (Focus Features)

Zoe Saldaña in “Emilia Pérez” (Netflix)

–

Cinematography

“The Brutalist” (A24) Lol Crawley

“Dune: Part Two” (Warner Bros.) Greig Fraser

“Emilia Pérez” (Netflix) Paul Guilhaume

“Maria” (Netflix) Ed Lachman

“Nosferatu” (Focus Features) Jarin Blaschke

–

International Feature Film

“I’m Still Here” (Brazil)

“The Girl with the Needle” (Denmark)

“Emilia Pérez” (France)

“The Seed of the Sacred Fig” (Die Saat des heiligen Feigenbaums) (Germany)

“Flow” (Latvia)

–

Animated Feature Film

“Flow” (Sideshow/Janus Films)

“Inside Out 2” (Walt Disney)

“Memoir of a Snail” (IFC Films)

“Wallace & Gromit: Vengeance Most Fowl” (Netflix)

“The Wild Robot” (Universal)

–

Documentary Feature Film

“Black Box Diaries” (MTV Documentary Films)

“No Other Land”

“Porcelain War” (Picturehouse)

“Soundtrack to a Coup d’Etat” (Kino Lorber)

“Sugarcane” (National Geographic Documentary Films)

–

Film Editing

“Anora” (Neon) Sean Baker

“The Brutalist” (A24) David Jancso

“Conclave” (Focus Features) Nick Emerson

“Emilia Pérez” (Netflix) Juliette Welfling

“Wicked” (Universal) Myron Kerstein

–

Production Design

“The Brutalist” (A24) Production Design: Judy Becker, Set Decoration: Patricia Cuccia

“Conclave” (Focus Features) Production Design: Suzie Davies, Set Decoration: Cynthia Sleiter

“Dune: Part Two” (Warner Bros.) Production Design: Patrice Vermette, Set Decoration: Shane Vieau

“Nosferatu” (Focus Features) Production Design: Craig Lathrop, Set Decoration: Beatrice Brentnerová

“Wicked” (Universal) Production Design: Nathan Crowley, Set Decoration: Lee Sandales

–

Costume Design

“A Complete Unknown” (Searchlight) Arianne Phillips

“Conclave” (Focus Features) Lisy Christl

“Gladiator II” (Paramount) Janty Yates and Dave Crossman

“Nosferatu” (Focus Features) Linda Muir

“Wicked” (Universal) Paul Tazewell

–

Music (Original Score)

“The Brutalist” (A24) Daniel Blumberg

“Conclave” (Focus Features) Volker Bertelmann

“Emilia Pérez” (Netflix) Clément Ducol and Camille

“Wicked” (Universal) John Powell and Stephen Schwartz

“The Wild Robot” (Universal) Kris Bowers

–

Music (Original Song)

“El Mal” from “Emilia Pérez” (Netflix) Music by Clément Ducol and Camille, Lyric by Clément Ducol, Camille and Jacques Audiard

“The Journey” from “The Six Triple Eight” (Netflix) Music and Lyric by Diane Warren

“Like A Bird” from “Sing Sing” (A24) Music and Lyric by Abraham Alexander and Adrian Quesada

“Mi Camino” from “Emilia Pérez” (Netflix) Music and Lyric by Camille and Clément Ducol

“Never Too Late” from “Elton John: Never Too Late” (Disney+) Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

–

Live Action Short Film

A Lien

Anuja

I’m Not a Robot

The Last Ranger

The Man Who Would Not Remain Silent

–

Animated Short Film

Beautiful Men

In the Shadow of the Cypress

Magic Candies

Wander to Wonder

Yuck!

–

Documentary Short Film

“Death by Numbers” Kim A. Snyder and Janique L. Robillard

“I Am Ready, Warden” (MTV Documentary Films) Smriti Mundhra and Maya Gnyp

“Incident” (The New Yorker) Bill Morrison and Jamie Kalven

“Instruments of a Beating Heart” (The New York Times OpDocs/Cineric Creative) Ema Ryan Yamazaki and Eric Nyari

“The Only Girl in the Orchestra” (Netflix) Molly O’Brien and Lisa Remington

–

Makeup and Hairstyling

A Different Man

Emilia Pérez

Nosferatu

The Substance

Wicked

–

Sound

A Complete Unknown

Dune: Part Two

Emilia Pérez

Wicked

The Wild Robot

–

Visual Effects

Alien: Romulus

Better Man

Dune: Part Two

The Kingdom of the Planet of the Apes

Wicked

–

Wenn Nominierungen eine eindeutige Prognose für Gewinne wären, würde „Emilia Pérez“ mit dreizehn Nominierungen die meisten Oscars erhalten. „The Brutalist“ und „Wicked“ folgen mit zehn Nominierungen, „A complete Unknown“ und „Konklave“ mit acht Nominierungen. „Anora“ folgt mit sehs Nominierungen.

Wenn ich wetten müsste, würde ich mein Geld in den wichtigen Kategorien – bester Film, beste Regie, bestes Drehbuch, beste Kamera und beste Schauspieler in Haupt- und Nebenrollen – auf „The Brutalist“ und „A complete Unknown“ setzten. Ersterer ist der Versuch, die große US-amerikanische Geschichte anhand der Geschichte eines Mannes zu erzählen. Letzterer ist ein braves Biopic über die Anfangsjahre von Bob Dylan. Beide Filme sind typisches Oscar-Futter.

Das kann über „Emilia Pérez“ und „The Substance“ (unter anderem auch als Bester Film nominiert) nicht gesagt werden.

Nach der 97. Oscar-Preisverleihung am Sonntag, den 2. März, in Los Angeles im Dolby Theatre wissen wir mehr.